Michael Shannon for Telegraph Magazine
My portrait of Michael Shannon is out in today’s Telegraph Magazine.
(Source: surly-temple)
One of Federico Fellini’ s initial sketches of La Strada’s Gelsomina
(via)
(Source: allprologue)
Happy Birthday, Peter Hayden Dinklage (June 11, 1969)
The focus on eyes emphasises the overall desperation for secrets and trust that characterises both the FBI and the criminals. On close ups, having Jodie Foster look slightly off camera and all the other actors straight on, subtly highlights the fact that most of the film is from Clarice’s point of view and that others struggle to know her intimately. When she finally confides in Lecter and tells him about her childhood and the lambs, she looks straight into the camera for one of the first times [x]
(Source: kissthefuture)
(Source: nunofgouveia1)
Christoph Waltz and Quentin Tarantino for Vanity Fair, March 2010
(Source: waltzedwithchristoph)
Marcello Mastroianni
